At my own art studio-continuing my work.

The end is near - goodbye beautiful Banff studio

Leaving is bitter-sweet. I am happy with what I accomplished. Thank you to all those who make the Banff Centre the special place that it is.

Today and Tomorrow

Tomorrow is my last day in residency. It seemed to move so quickly and yet I miss my family. I feel that I have experienced each day to the fullest here at the Banff Centre. I attended music performances, artist talks, networked, and created. Below is today's work - devising a way for the pages of my 'testament' to link together. Tomorrow I will say goodbye to this space only as I bring my work home.

Another day in Residence...

I am in a routine of studio work that I hope I can continue when I get home. There are so many more distractions at home - things of importance that I give in to and that seem to whittle away my most productive time. Of course one can whittle away time anywhere with as little as a scrap of fluff and imagination, but if a new habit can be formed then my body will crave the sense of organization and well being that results, not to mention the excitement of creating new work.

Today's work

I worked more on my lacy rounds, but I also spent time working on this woven blanket. It is a digitally woven blanket from a .jpg file. The image is a combination of my paint strokes in the background and a vector drawing of the buffalo in the foreground. I am now applying beads to specific areas of the piece.

Banff Residency: Day two

Banff Centre is entirely another world where each day is a savoured experience. For a time I am free to respond to my creative thoughts - to bring them to life. I have so many and although it is only day two of my residency in the Leighton Artist Colony, I am rushing through the work as though it is my last. Here is a peek at my studio and some of today's work:

Digitization of fish pattern

I have finished drawing a large portion of the pattern in Illustrator. A portion of the pattern was used in a public art call that I just completed today. I want to use it again in a different context. I really love the interesting secondary shapes that can be discerned when you look at portions of the pattern. I think I will print it out and do some colouring! I have some velum that runs nicely through my printer and a brand new set of pencil crayons. Very relaxing - at least as good as Yoga.

Tessellations

I have been reading about tessellations (think art by M.C. Escher). They fascinate me! I found a book in the thrift store on designing tessellations and brought it home for the modest amount of $3. I am also fond of William Morris organic pattern designs. I imagined the meeting of these two and this was the result:

Perfectly suitable for creating a vector illustration! I have drawn this in Adobe Illustrator and am now in the process of finding a use for the variations I created. I will keep you posted.

of light and subject

I wish I could walk around with my camera attached to me at all times. I see so many opportunities where the light weaves it's way around subjects bringing out the colours and textures in such a delicious way. I added a bit of post production in Photoshop to set the mood.

Old Brush, New Work

A number 4 Africana sable brush from 1970's USA. The 'Africana' company once provided high quality glazes, stains and supplies for the booming '70's ceramic industry. My parents had distribution rights for the products in the Grande Prairie (AB) area when they owned their ceramic studio. I used this brush to paint many small ceramic objects - then in the 1980's it took me through art school. In amazing condition, it is still one of my favourite brushes and will come with me to the Banff Centre in February (2015) for a visual art residency. I received word today that I am accepted into the Leighton Artist Colony - Gerin-Lajoie Studio. While at the studio I will focus solely on my art - (yes, someone else will do the cooking and the cleaning for me!) As part of my planned  Education Leave from work, I have until the end of April to concentrate on my art practice. I feel a deep gratitude for this opportunity and plan to make the most of it. I shall keep you updated.

Thursday, November 13th at 7am

It was -19c this morning as I was feeding the horses. A bit chilly for me, but Cassie doesn't seem to mind. She has a full coat of winter fur. I wake up, drag myself out there and promptly come to attention as the cold starts to sting my cheeks. I may be miserable when I start, but by the time I have finished the chore I am smiling.

Madly updating my website

I am hoping that the servers will be pointing to my new website in the next couple of days. I have been working hard to complete it. Not an easy task for someone who is very rusty at this sort of thing.

First

Here is a photo of my artwork hanging in the UNBC Rotunda Gallery. It's a digitally woven blanket with beadwork applied on the letters and some of the shapes and forms. I used a photo of 'Mrs. Gullion' (Athabasca Archives) and placed her within my own drawings. The text running along side her on the left is from a scan of the original Metis land scrip document issued to George and Margareta Gullion for their son, Franklin Gullion (my great grandfather). It says, "was the woman half-breed, indian or other? ....Halfbreed." I could go on about the derogatory meaning that is now attached to the label 'halfbreed' but in 1900 that was how Metis people were referred to. There is an excellent essay on the subject at this link: http://scaa.sk.ca/ourlegacy/exhibit_scrip It describes the process by which using land scrip Metis people were stripped of their aboriginal title to a traditional land base.

I think the blanket looks amazing between the wooden lamps. Thank you to the group who put together the show for the Aboriginal Women's Honouring at UNBC.

Have a seat...again

I find chairs in the most interesting locations. This one is located outside the Emily Carr University in Vancouver, BC.