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Kim Gullion Stewart, Métis Artist
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Scarves
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Kim Gullion Stewart, Métis Artist
Artwork
Scarves
Shows
About Kim
Hide Tanning
Artrepreneur
News
Contact
Login Account
Artwork
Scarves
Shows
About Kim
Hide Tanning
Artrepreneur
News
Contact
Login Account
Artwork Thinking About Buffalo Lake Back Then
stewartk Buffalo Lake framed 2025.jpg Image 1 of 2
stewartk Buffalo Lake framed 2025.jpg
Stewartk Buffalo Lake 2025.jpg Image 2 of 2
Stewartk Buffalo Lake 2025.jpg
stewartk Buffalo Lake framed 2025.jpg
Stewartk Buffalo Lake 2025.jpg

Thinking About Buffalo Lake Back Then

$850.00

I have been transforming this piece for a decade - yes a decade! Now it is complete. The lake shape and tributaries are from a vintage map of Buffalo Lake near Stettler, Alberta, a well known historical Metis settlement. I love that the map cartographer took liberties when recording the shape of the lake to make it appear more Buffalo-like! Jacques Cardinal recorded my ancestors wintering over at this location in the late 1800’s. This piece is acrylic, charcoal and e-sized beadwork on deer hide stretched and framed with a simple black wood frame.

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I have been transforming this piece for a decade - yes a decade! Now it is complete. The lake shape and tributaries are from a vintage map of Buffalo Lake near Stettler, Alberta, a well known historical Metis settlement. I love that the map cartographer took liberties when recording the shape of the lake to make it appear more Buffalo-like! Jacques Cardinal recorded my ancestors wintering over at this location in the late 1800’s. This piece is acrylic, charcoal and e-sized beadwork on deer hide stretched and framed with a simple black wood frame.

I have been transforming this piece for a decade - yes a decade! Now it is complete. The lake shape and tributaries are from a vintage map of Buffalo Lake near Stettler, Alberta, a well known historical Metis settlement. I love that the map cartographer took liberties when recording the shape of the lake to make it appear more Buffalo-like! Jacques Cardinal recorded my ancestors wintering over at this location in the late 1800’s. This piece is acrylic, charcoal and e-sized beadwork on deer hide stretched and framed with a simple black wood frame.

This painting is done on a stretched rawhide from a deer and as such must be protected from moisture. It will change a little in shape and tightness depending on the humidity in the air. The deer was sustainably harvested by and indigenous person and the rawhide was created by Kim Gullion Stewart.